生命的圆圈 / دایره

关键词： 贾法·帕纳西 七女性(港) 圆圈 Dayereh The Circle 剧情

追剧网为您提供2000年由Nargess Mamizadeh,Maryiam Palvin Almani,Mojgan Faramarzi,Elham Saboktakin,Monir Arab,梅德·塔赫马斯比,Maryam Shayegan,Khadijeh Moradi,Negar Ghadyani,Solmaz Panahi,弗里施特·萨德尔·奥拉法耶,Fatemeh Naghavi,Ataollah Moghadas,Abbas Alizadeh主演,贾法·帕纳西导演的《生命的圆圈》/原名《دایره》/又名《七女性(港) / 圆圈 / Dayereh / The Circle》剧情电影在线观看完整版,《生命的圆圈》百度云网盘资源以及《生命的圆圈》高清蓝光mp4迅雷下载，《生命的圆圈》BT下载资源，希望您能喜欢！

导演：贾法·帕纳西 

主演：Nargess Mamizadeh Maryiam Palvin Almani Mojgan Faramarzi Elham Saboktakin Monir Arab 梅德·塔赫马斯比 Maryam Shayegan Khadijeh Moradi Negar Ghadyani Solmaz Panahi 弗里施特·萨德尔·奥拉法耶 Fatemeh Naghavi Ataollah Moghadas Abbas Alizadeh 

又名：七女性(港) / 圆圈 / Dayereh / The Circle

Plot Summary:In a hospital waiting room a woman learns her daughter, Solmaz Gholami, has just given birth. The ultrasound test had prepared the family for a boy. The baby, it turns out, is a girl. The joy the mother anticipated turns to terror for she knows her son-in-law's family will abandon her daughter. The old woman flees as the in-laws arrive. On the crowded streets of Tehran - a place where women are not permitted to stay out on their own or smoke in public - two women are also on the run. Arezou and Nargess have just been granted temporary leave from prison but they have no plans to return. They manage to scrounge together enough money for the bus trip to Nargess' hometown, but she lacks proper identification, and the police are searching everyone at the station. Meanwhile, their friend Pari has just escaped from prison in order to have an abortion. Threatened with death by her brothers, she flees from her father's house and meets with a former inmate, Elham, who is now married to a doctor and works in a hospital. Despite her connections, Elham is unable to help Pari in her hour of need. Despondent, Pari wanders the streets and chances upon Nayereh, a woman about to abandon her young daughter. Pari tries to stop her, but it is too late. Soon after, Nayareh, falsely accused of prostitution, is taken into custody by the police. As Panahi's narrative shifts dynamically from woman to woman, their stories culminate with tremendous potency, transforming a shared sense of despair and injustice into one kinship, and even hope.